Which Casio Digital Keyboard is the Best Choice For Beginners
h2>Which Casio Digital Keyboard is the Best Choice For Beginners? g>
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He advised that Casio have been making keyboards for quite a while now and their name is synonymous with electronic keyboards, so you’d expect them to do what they do well, which they do. Casio are particularly good at making entry-level digital keyboards and they have a wide variety to choose from. This article will help you to choose the right one for you.
There are basically two ranges with different models within those ranges – the LK digital keyboard range, and the CTK range of keyboards. To look at the two ranges there isn’t a huge amount of difference to the untrained eye. But once you delve further into the functions and features there is a marked difference.
The main difference between the Casio LK and CTK digital keyboards is that the LK range, have what they call a back light keyboard. The back light keyboard is a tried and trusted feature designed to help absolute beginners to start learning and playing quickly.
He and the school use Casio LK digital keyboards in our own music school and he has seen countless kids and adults find this to be one of the most useful training tools, but especially for younger learners as they can become frustrated and unfocused if they can’t learn quickly. He is not saying you’ll become a piano maestro immediately upon using the tool – it just provides a very practical learning guide.
There are 5 models in the Casio LK range of keyboard: LK-120, LK-220, LK-230, LK-270 & LK-300TV. All of these models have 61 keys which all light up. 61 keys are plenty to be getting on with for absolute beginners. The Casio LK-120 is the entry level and goes up to the LK-300TV at the top end. Each model has slightly more features as you go up the range. For instance the LK-120 has 100 onboard sounds whereas the LK-300TV has 514.
Similarly the LK-120 has less rhythm choices than the LK-300 TV digital keyboard. As you go up the range you’ll find more features such as effects e.g. delay, reverb. The ability to connect outboard gear becomes possible as you go up the range e.g. adding a microphone and playing along to someone singing. One thing that is common throughout the models is the capability to connect to a computer easily either through Midi or USB. They also feature the Casio Step up learning system.
The Casio CTK-range is also suitable for absolute beginners but do not feature the back light keys. They do however all feature the Step-Up learning system as well more recording, sampling and effects features. There are 6 models in the CTK range; CTK-230, CTK-2000, CTK-2100, CTK-3000, CTK-4000 and the CTK-5000. As with the LK range of digital keyboards, the CTK range increases the number of on-board sounds, digital effects as you go up the range. The CTK-230 is the entry level, and it should be pointed out that it only has 49 keys, where as the others all have 61 keys.
Another feature of the CTK range worth mentioning is the appearance of the keys. On a lot of keyboards at this price range, you can find that they keys are a different size to those of an acoustic piano. Casio have made the keys to be the same size and to look the same as an acoustic. All of which helps with playing technique.
So the question is which is the best Casio keyboard for beginners? There is no right or wrong, but as a guideline, I would chose the LK-230 absolute beginners who are younger i.e. 4-7 years old. For older players I would choose the CTK range.
Is ‘Classical Music’ Dead in the Water
On various blogs and message boards I’ve read lately I’ve encountered a lively argument on top of could you repeat that? We ought to call Classical Music. You know the kind of composition I mean: A conductor by the front, a cluster of musicians scraping, blowing, plucking and striking a variety of instruments ranging from the ‘fit your pocket’ small, to the ‘I need a dump truck to move this mother’ behemoth; all appraisal from printed scores, the largest part likely formally dressed, seldom smiling, earnest in their endeavours.
Polite applause ripples around the audience, generally initiated either by the ‘I know my stuff, so have under surveillance my go in front and praise as I do’ cognoscenti, or, more unsuccessfully, though admittedly more hilariously, by the enthusiastic ingenue who inadvertently claps linking schedule of a line quartet — “tut, tut!” Stifled guffaws and a kind of ‘there but pro the leniency of God perform I’ embarrassment wafts around the concert entry pro a instant. The cognoscenti get pleasure from their instant of schadenfreude, the Minuet begins.
This kind of composition bears the generic label ‘Classical’, but this is inaccurate, both in the significance of Classical Literature, which refers to Ancient Greece and Rome, and in the significance of Classical Music as a episode of musical history (see below).
Here are the minority quick view: ‘Classical Music’, in musicological provisions refers specifically to composition on paper roughly linking 1750 – 1820. It’s dominated by Sonata- and Ternary-form structures and adheres to a hierarchical vocal order proven as functional tonality. So, I say, don’t untidiness with it – it’s a sound, commonly expected label of reference. We know someplace we are with it; like comfy old slippers we give birth to grown-up accustomed to its feel — it fits. It ain’t broke, so don’t arrange it.
But, ‘Houston, we give birth to a problem’ – the label ‘Classical Music’ has been hijacked by indolent thinkers and good-for-nothing generalists to mean in the least form of composition someplace you might give birth to lone or more of the following:
A) a conductor
B) musicians appraisal from notated scores
C) musicians dressed as penguins
D) an absence of bare midriffs, thongs and lycra (and that’s only this minute the men!)e) singers singing lacking amplification, but mangling syllables and consonants into a ‘projected sound’, the volume of which would deposit in the least self-respecting Town Crier to disgrace. Come to think of it, they would produce a Jumbo jet a run pro its money in the decibel stakes.
So, composition on paper since 1820, even composition on paper remaining month, gets labelled ‘Classical’ if it meets the criteria traditional banned higher than.
Recently I’ve approach across various blogs and online articles discussing this publication, with more or less attention-grabbing suggestions pro alternatives. Let’s take a look by more or less of them:
Knack Music – Pleeeeease!!! Are you fatally suggesting with the aim of the Miles Davis / Gil Evans collaborations, or Charlie Parker’s pioneering attitude to harmony doesn’t amount to art? You can’t smash-and-grab a monopoly on the disguised worth associated with such a label lacking making by hand severely unpopular with musicians of other genres.
Serious Music – are you serious? Again, I know many Jazz musicians who are each crumb as serious with reference to their composition as in the least ‘Classical’ musician.
Notated Music – this is a no-go as well, for the reason that so many other forms of composition are notated, from Pop through to Jazz & Blues. You besides leave by hand inmate to the question ‘what is notation?’. Those who declare with the aim of notation doesn’t exist in Pop or stun composition are chatting rot – it’s alive and well and, with the advent of central processing unit notating software, more than continually obtainable to Popsters pro their horn and line arrangements.
[Top]Of Sound Mind And Body – Does Music Therapy Work
Music therapy assists in overcoming issues that are emotional, physical, social, and cognitive. This amazing type of theraoy also manages stress, promotes overall wellness, helps in the expression of feelings, to reduces or eliminate pain, to improves memory, promotes rehabilitation from physical problems or disorders, and to betters communication.
1. Who Can Do Music Therapy?
Music therapy is done through a music therapist. A music therapist first makes an assessment of the clients overall emotional and physical well-being. The music therapist also takes a look at the clients level of social functioning, cognitive skills, and communication abilities. After making these assessments, the musical therapist designs individual music sessions for the client. Sessions can, Of course, also include group music therapy. Music therapy options include listening to music, writing songs, discussing lyrics, performing music, and learning through music.
2. The Supporting Research
In integrated approach to music therapy has been shown to help children and adults of all ages. Music therapy helps those with developmental disabilities and learning disabilities overcome their learning obstacles. It also helps individuals with Alzheimers disease and other age-related conditions regain their memory. In addition, those who have coped with drug abuse or who have suffered from brain injuries can benefit from music therapy. People dealing with chronic or acute pain, including mothers giving birth, can also use music therapy to alleviate pain.
3. Hospitals Use Music Therapy
Music therapy is also sometimes used by hospitals to improve the mood of their patients or to counteract depression. They also use music to help encourage patients to move during physical therapy, or to calm patients that need to be sedated or who need to rest. Music therapy is also used in hospitals to decrease muscle tension and to help patients relax.
4. Schools Use Music Therapy
Schools even use music therapy to help children be more successful. For special education students, music therapy is sometimes included in the students Individualized Education Plan, or IEP. Music therapy is sometimes used to help these children improve their communication skills or to strengthen their physical coordination, that helps them be more successful in general education classes.
5. Music Soothes The Savage Beast
In fact, the concept of music therapy has its roots in ancient times, but really gained attention after World War I and World War II. At these times, community musicians visited Veterans hospitals and played for veterans who were suffering from physical and emotional trauma brought on by the wars. The patients at these hospitals showed notable improvement from the music. As a result, the doctors and nurses requested that musicians be hired to come to the hospitals.
6. The Benefits Of Music Therapy
The positive effects of music therapy have been so well recognized that many insurance companies cover it as a form of medical treatment. Medicare and Medicaid cover it, as well, so long as it is prescribed by a physician and the patient shows improvement from the music therapy.
7. No Musical Inclination Required
You don’t need to be musically talented to benefit from this therapy! Some people believe that only one type of music can be beneficial for use in music therapy. This is also untrue. In fact, all types of music can be helpful in helping a client. The type of music used depends on the clients preferences, as well as on the individual circumstances and the purpose of treatment. Also, the clients overall goals from the therapy help determine the type of music to be used in the music therapy.
8. Reduce Stress
The reduction of stress in emotionally healthy people can also be a benefit! Drumming and listening to music can help facilitate relaxation. Music can also stimulate physical excercise when doing a routine.
[Top]House Music – The Origins
Establishing “House”
The birth of the words “house music” is a hotly argued question amidst artists and DJ’s. Some people assert it originated from a night club called “The Warehouse” where longtime resident Producer/DJ Frankie Knuckles played a distinctive brand of dance music until 1982 when the establishment closed down. Knuckles himself suggested he initially witnessed the term when driving by a bar on the south side of Chicago that hung a sign in its window reading “We play house music”. DJ Leonard “Remix” Rroy suggests the sign was likely a reference to the style of soulful songs one would listen to at your own house.
A second sentiment is that the phrase referenced the production of music in the residences of groundbreaking DJ’s and dance producers. These early creations would be recorded with synthesizers, drum machines and sequencers. Many others assert that “house” references the relationship of particular tracks with their respective DJ’s, as in the house DJ’s played their very own house records.
The Fathers of House Music
The Chicago night club scene of the early 80’s was spurred by DJ’s spinning a number of styles of music like disco, hip hop, funk, pop, and R&B. The beginning of somewhat economical electronic instruments led to some DJ’s crafting their own combination of existing tunes by mixing in drum machines and effects.
Seen by many to be the very first original house music record, “On & On” by Jesse Saunders was published in 1984. The album’s prosperity ignited a wave of tracks from the earlier DJ’s attempting their hand at putting out house music. The music soon branched off into subgenres of house such as deep house and acid house.
Through the support of club DJ’s such as Lil Louis, Frankie Knuckles, Ron Hardy, and radio stations like WBMX, house music quickly gained popularity in Chicago. Concurrently, house began to spread to nearby DJ’s and producers of Detroit, Michigan. Artists like Marshall Jefferson helped push house outside of Chicago with his hugely well known track “Move Your Body”. From the middle to late 1980’s artists such as Larry Heard, Derrick May, Kevin Saunderson, Farley Keith, and Steve Hurley, persisted to popularize the style.
Now, house music is more prevalent than ever and can be heard in a variety of forms in night clubs spanning the earth. The genre has continued to fork off into subgenres including progressive house, electro house, techno house, breakbeat, and the list goes on. House isn’t just a style of music, but is a religion protected by loyal followers the world over.
[Top]Issues in Music Business
Creativity has never been everybodys cup of tea and so has been establishing in the art industry. It always required a thick mantle to survive and the music industry is no exception. The best survival trick is to be able to deal properly with the disappointments, take lessons and keep moving in order to achieve your goal, without getting swayed away.
Few of the issues and concerns in the music industry are as follows:
Demo disappointment Its, indeed, one of the most common problem with every second struggler in the music industry. So what do you do when you just dont get any response on your demo? You might choose to get frustrated on realizing that there is no one interested in your stuff or your demo is not at all worthy enough. Or you might decide to take a positive approach and believe that it takes time to get the right sample to the right person for independent artist. A more pragmatic approach would be to figure out petty tribulations that might be there in your demo and make conscious efforts to put them right. There is a lot of information and guideline available on the net on how to improve you demo. The other activities advised to handle such a situation are:
Continue playing shows so that your profile keeps building up continuously.
Aggressively pursue the press coverage of your shows.
Stay updated on your internet marketing tools like your blog, MySpace etc.
Maintain upgraded information in your promotion package about your latest activities.
Non-availability of Distribution after reaching the stage when you decide to release your own record, getting distributors for your first release becomes the biggest problem, given, the fact that every distributor eyes on established brands and labels which can pull huge loads of advertisement money at their offices. The solution is simply to take care of a few things in your record which can help make the distributor(s) believe that the stuff is going to work in the market:
You should show up a decent list of releases of different independent artist so that the risk gets shared evenly.
A proposal having a schedule of your future releases to assure the distributors that you plan to stay, at least, for a while.
Catch hold of a distributor who keeps, in general, all labels so that the supply (when your music is in demand) is easily met with.
Do efforts by promoting your music not only through the press but also by visiting music stores etc.
These steps can, in principle, improve the market status of your music and provide you the leverage that you have been striving for quiet long.
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